Kinship with Creation: A Key for the Future of Faith. Guest Sage Kosa
creation, church, justice, witness, post-Christian Mark Glanville creation, church, justice, witness, post-Christian Mark Glanville

Kinship with Creation: A Key for the Future of Faith. Guest Sage Kosa

Our kinship with the creation is crucial for the life and witness of the churches in post-Christian neighborhoods. Our guest is leading horticulturalist, Sage Kosa. Hosted from the grand piano, alongside a potted sword fern.

Sage Kosa owns and operates Kindred Gardens (Vancouver), a garden design, install, care, consulting, and coaching business.

Check out:

·      Mark’s book, “Improvising Church: Scripture as the Source of Harmony, Rhythm, and Soul, chapter eight, “Creation.”

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“I Practice Scales to Become a Saint”—Coltrane: Christ Followers & Artists
jazz, church, justice, blues, post-colonial Mark Glanville jazz, church, justice, blues, post-colonial Mark Glanville

“I Practice Scales to Become a Saint”—Coltrane: Christ Followers & Artists

Artists and Christ followers walk a similar path, as those who discern the truth about the world. The artistic gift of intuitive discernment, of expressing reality with clarity and soul, relates to the Christian gospel. Mark explores a woven kinship between artists and Christ followers while playing the grand piano.

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Trailer
mission, church, jazz, improvisation, justice Mark Glanville mission, church, jazz, improvisation, justice Mark Glanville

Trailer

The Blue Note Theology podcast offers a fresh vision for the church in post-Christian neighbourhoods. Blue notes in jazz and blues music create tension and some of the deepest creativity is found in that space. In this trailer, meet your host, Mark Glanville, a professional jazz musician, theologian, and author, as he introduces the concept of blue notes in jazz and blues music and sets up for the first season of Blue Note Theology. The first full-length episode launches in early December.

Produced, written, and edited by Mark Glanville

Associate produced by Daniel Melvill Jones

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